Lyle Lovett's "12th of June" is Worth the Wait | Sound Stories & Interviews | Bend | The Source Weekly - Bend, Oregon

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Lyle Lovett's "12th of June" is Worth the Wait

Legendary artist releases first album of original material in a decade



Lyle Lovett has just released "12th of June," his first album of original material in 10 years. In yet another example of the pandemic getting in the way of best laid plans, Lovett had things all lined up for a much earlier arrival of his latest batch of music.

Bolstered by a marriage, the birth of twins and a new album, Lyle Lovett is more than ready to hit the road with his Large Band. - MICHAEL WILSON
  • Michael Wilson
  • Bolstered by a marriage, the birth of twins and a new album, Lyle Lovett is more than ready to hit the road with his Large Band.

"We recorded these tracks in November of 2019 with the idea of finishing them in March of 2020," Lovett said in an early June phone interview. "I did an acoustic group tour that started in January and ended up on the 7th of March that year. I was going to spend the rest of the month working on the record and finishing it for a 2020 release. And of course, that did not happen." 

While Lovett did get to join his Large Band in the studio and record the basic tracks for "12th of June," the pandemic had a huge effect on mixing and other work required from that point forward to finish the album.

"Chuck Ainlay, my producer in Nashville, would go through tracks and mix, and go through as we made edits and changes. He would e-mail me everything he was doing and then I would listen on my own," Lovett said. "It was just not the same. The back and forth is just not as much fun, really, because a decision that would take five minutes to make in the studio would end up being two or three days by e-mail. So it slowed everything down immensely. It's just not as much fun listening and analyzing something all by yourself as it is working with people. So I missed the interaction. I missed the humanity in making the record, and it felt more, in the context of being isolated from the world anyway, it added to that feeling of isolation rather than helped to diminish it."

In the end, Lovett got to work in person with Ainlay in putting the finishing touches on "12th of June," but that didn't happen until early this year.

So better late than never, fans of Lovett finally have new music to enjoy. And while Lovett, one of music's finest and most literate songwriters, has done his share of excellent albums that lean toward country and feature a good bit of acoustic instrumentation (think his second album, 1987's "Pontiac," 1992's "Joshua Judges Ruth" or 2012's "Release Me"), "12th of June" is his third studio album billed with his Large Band. 

With this ensemble of talented musicians (it will be a 14-member unit for this summer's tour), Lovett is able to greatly expand his musical reach. That's obvious right from the start of "12th of June," which opens with a version of jazz great Horace Silver's "Cookin' at the Continental," a lively instrumental that lets the Large Band showcase its considerable chops. Three duets with Lovett's longtime vocal counterpart, Francine Reed, further cement the jazz credentials of all involved as they tackle two songs associated with Nat "King" Cole, the peppy "Straighten Up & Fly Right," the bluesy ballad "Gee Baby, Ain't I Good to You," as well as the David Frishberg-penned standard, "Peel Me A Grape."   

Lovett's more country-leaning sound emerges on the ballads "Her Loving Man," "The Mocking Ones" and the title track, while "Pig Meat Man" puts a bit of soul and blues into the mix, and "Are We Dancing" adds a string-laden ballad that is rooted in the pre-rock and roll era.  

The long gap between "12th of June" and Lovett's previous album, 2012's "Release Me," was largely the product of being between record deals and needing time to figure out how he wanted to release his next collection of songs, coupled with a major development in Lovett's personal life – his marriage to longtime girlfriend April Kimble in 2017, followed by the birth of the couple's twins. Along with touring commitments – Lovett tends to play around 100 concerts during normal years – these factors absorbed a lot of time over the past decade. 

Marriage and fatherhood figure prominently into the lyrics of the original songs on "12th of June." "Her Loving Man" is a sweet tribute to Kimble and her intelligence, wisdom and warmth. The title song is a touching tune that imagines a father carrying his love for his wife and children into the next life. Lovett applies his trademark wry humor to "Pants is Overrated," which was inspired one day when his children were resisting the idea of getting dressed, and "Pig Meat Man," an ode to pork.  

Lovett is looking forward to sharing the songs and messages of his new songs on tour with his Large Band this summer. 

"We'll play material from across my catalog, but we will definitely feature material from this (new) album," he said. "It's always fun to have a new record out, and it's always fun to have a reason to play those newly recorded songs. We did six shows in four days in New York in May, the week after the album was released, and we had a great time playing together for the first time as the Large Band since August of 2019. So we had a great time all being together, and it just made me really look forward to this tour." 

Lyle Lovett and His Large Band (with Chris Isaak)
Fri., June 24, 7 p.m.
Hayden Homes Amphitheater
344 Shevlin Hixon Drive
$39.50 to $99.50 plus service fees

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